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Silk Dye on paper
16” x 20"
Austin Evans’ work navigates the intersection of dopamine and discipline, portraying modern addictions—phones, pills, processed pleasures—through the refined lens of traditional Japanese art. Borrowing the visual language of ukiyo-e, his pieces reveal the irony of a culture obsessed with mindfulness while doomscrolling through existential dread.
Ancient brushstrokes meet streaming-service stagnation; woodblocks meet vape clouds. The serene courtesan now poses with a frappuccino and a phone charger—beauty and decay lacquered together.
If Hokusai lived today, would The Great Wave be a notification badge? In an age where cravings come in high definition, Evans reflects the absurd nobility of trying to stay Zen while binging boxed wine and self-help podcasts.
A love letter to the contradictions we carry—etched in fine lines, glazed in sarcasm, and always just one swipe from enlightenment.
Silk Dye on paper
16” x 20"
Austin Evans’ work navigates the intersection of dopamine and discipline, portraying modern addictions—phones, pills, processed pleasures—through the refined lens of traditional Japanese art. Borrowing the visual language of ukiyo-e, his pieces reveal the irony of a culture obsessed with mindfulness while doomscrolling through existential dread.
Ancient brushstrokes meet streaming-service stagnation; woodblocks meet vape clouds. The serene courtesan now poses with a frappuccino and a phone charger—beauty and decay lacquered together.
If Hokusai lived today, would The Great Wave be a notification badge? In an age where cravings come in high definition, Evans reflects the absurd nobility of trying to stay Zen while binging boxed wine and self-help podcasts.
A love letter to the contradictions we carry—etched in fine lines, glazed in sarcasm, and always just one swipe from enlightenment.